Friday, June 30, 2006

THE U.S. VS. JOHN LENNON


THE U.S. VS. JOHN LENNON is a compelling and provocative look at John Lennon's transformation from beloved musical artist to anti-war activist to iconic inspiration for peace that also reveals the true story of why and how the U.S. Government tried to silence him. The film will also show that this was not just an isolated episode in American history but that the issues and struggles of that era remain relevant today.

I watched the trailer and immediately felt a sense of sadness and mild outrage. The footage of John campaigning for peace – coupled with his music was soul-stirring. We lost John Lennon 26 years ago. His courage to voice his beliefs and opinions made him a marked man. Today, the U.S finds itself in a similar situation with a war that is stepping into its 41st month. And for what?

Although no one has taken the same stance that John Lennon did, we have musicians making their opinion felt. And who says musicians cannot speak up on such issues – better than some idiot rambling on some TV talk show!!

http://www.apple.com/trailers/lions_gate/theusvsjohnlennon/

Thursday, June 29, 2006

Britney's bulge



I was never a huge fan of her music - but I believe she is one of the hottest babes around.

And she looks better with the bump.

Arjun - as always, you were right about this one.

Why did he have to return?


Seems like the world would have been better without him: My take on Superman Returns.

Superman Returns is a great example of trailer hype. All the best scenes in the movie are edited into the trailer. If you expect more from the movie – please forget it. The marketing angle for the original Superman in 1978 was ‘Have you seen a man fly?’ Today, even a bum like James Bond flies.

So, a Superman movie has to have more relevance than this. Brandon Routh as Superman just doesn't add up… and you cannot but compare him to Christopher Reeve, the real Superman. Somehow, this new chap does not fit. And as Clark Kent, he tried too hard to be like Reeve. I have a feeling that Singer used an overdub of Reeve somewhere.

Many scenes in the movie are reminiscent of the 1978 classic – the landing site, the crystal home of Kal-el, the rooftop encounter between Lois and Superman… But the overall disappointment was for something else. Here is the strongest guy on the planet – and his arch enemy is a mere mortal. With no greater aim than making money. Is this a plot?

And why can’t writers think beyond kryptonite? And to picture him in hospital?

Even Batman’s enemies had bigger and stronger reasons to turn bad. Well, Batman Begins has given Batman that edge over Superman Returns. Will either of these guys beat our good ol’ lover-boy Spidey? I doubt it. Don’t believe me?

http://www.sonypictures.com/movies/spiderman3/site/

BTW, I was wrong in an earlier post about Mr. Kal Penn. This guy has made his big league debut in this movie. But you won’t hear him talk… I think he has no dialogue.

Monday, June 26, 2006

ZOO TV On DVD


Finally its here. Zooropa is one of my favourite U2 albums. For a band to make an album like Joshua Tree and follow it up with Achtung Baby and Zooropa was a clear 'please-take-my-in-between-finger' to conventional wisdom. Widely regarded as a bizarre tour, fans can see to what extent U2 actually went to kill their God-like fame. Zooropa is to U2 what Sgt Peppers was to the Beatles. And for the fan, this tour DVD will be a great link between the Rattle and Hum and Elevation experiences.

From U2.com

‘Zoo TV Live From Sydney’ is set for DVD release in September. As well as the legendary live show, now digitally remastered, the new release comes with a bonus DVD of live tracks, mini-documentaries and the inimitable ‘Video Confessional’.

Details here.

Filmed at the Football Stadium in Sydney, Australia, in November 1993 - and now only available on something called VHS – the film is directed by David Mallet and produced by Ned O’Hanlon and Rocky Oldham. More on the background to the DVD release in the next few days, meantime, here’s the running order.

Disc One

Show Opening
Zoo Station
The Fly
Even Better Than The Real Thing
Mysterious Ways
One
Unchained Melody
Until The End Of The World
New Year’s Day
Numb
Angel Of Harlem
Stay (Faraway, So Close!)
Satellite Of Love
Dirty Day
Bullet The Blue Sky
Running To Stand Still
Where The Streets Have No Name
Pride (In The Name Of Love)
Daddy’s Gonna Pay For Your Crashed Car
Lemon
With Or Without You
Love Is Blindness
Can’t Help Falling In Love

Disc Two

1. Bonus Tracks

1. Tryin' To Throw Your Arms Around the World
2. Desire
(both taken live from the Zoo TV Special, Yankee Stadium, New York, 29th and 30th August 1992)
3. The Fly
4. Even Better than the Real Thing
(both taken live from the Stop Sellafield Concert, G-Mex Centre, Manchester, 19th June 1992)

2. DocumentariesA Fistful of Zoo TVZoo TV - The Inside StoryTrabantland

3. ExtrasVideo ConfessionalNumb Karaoke

The weekend that was...

5 stitches in my mouth (lower lip) on Friday evening - and it was quite clear that my weekend was destined to get fucked. I couldn't eat properly, gymming was out... and more so - I was in pain. Made my way to MJ at Jurong Point - and bought myself a few of DVDs and rented more.

I bought:

The Band of Brothers (3 discs): Epic TV mini series - probably the best on-screen representation of any heroic story that emerged from World War II - captures the bravery of Easy Company in the closing stages of the war.


Helter Skelter (the director's cut) True story inspired by the horrific Manson Family killings - Charles Manson believed that the Beatles were talking to him in the White Album. He also believed that he was Jesus Christ. Influenced his followers to brutally kill people and tried to start a race war. Good performances. One should learn leadership skills from this guy…!!


All the President's Men: Many believe that this is probably the best detective-investigative story of the last century. Fact is that every ounce of it was true, and the journalism of Bob Woodward and Carl Bernstein led to the resignation of Nixon makes it compelling viewing. Robert Redford and Dustin Hoffman play the parts of Woodward and Bernstein. The film is quiet and quick – and has a quality in it that most modern cinema utterly lacks – soul.


Also purchased over the last 10 days: LIVE 8, The Office (Season 1,2), The Legend of Bagger Vance, The Last Waltz

Rented:

Batman Begins: better than any super hero movie I’ve seen
School of Rock: Jack Black, Jack Black, Jack Black…
Harold and Kumar go to White Castle: typical stuff – not as much fun as imdb suggests – its quite moronic actually. ABCD, Where’s the party yaar?... this guy Kal Penn can be funny – but he has stereotyped himself. No way out for this Desi.

I also spent the weekend listening to one album repeatedly - Bob Dylan & The Band: The Basement Tapes

"N E E D to get out of Grad Hall" and get a life.

Thursday, June 22, 2006

Digital Cinema - Celluloid to Pixels

Last month, my friend Tanmoy and I watched Poseidon at Shaw Cinema. As usual, Tanmoy and I were caught in discussion… this time about the future of cinema. Not the creative aspect, but the mode of consumption – namely digital. I explained the little bit I knew of digital cinema to him, but young Tanmoy had more questions. I hope this helps… and the rest of you find it useful as well.

Usually, in the projection room, the projectionist feeds the film through the projector and the room buzzes with a lot of spinning sounds – if you visited the Nehru planetarium in Bombay – and the projection room at the movie hall there – well, its cacophony.

In today’s projection rooms at Eng Wah (Suntec multiplex, Singapore), beside each of the five traditional projectors sits a newfangled model that takes no effort to load and makes no noise other than the hum of a cooling fan. These are digital projectors for showing movies delivered on removable hard drives. Just push a few buttons and start a digital film.

While music, television, and even radio have all moved to digital formats, the movie industry still clings to technology dating from the days of Thomas Edison. That's starting to change, though, since Hollywood last year finally settled on a common format for digital movies. Digital-cinema advocates say the technology will lower costs, add piracy protection, and provide new sources of revenue to theater owners by helping them show live events such as concerts and soccer matches.

Singapore is leading the way. The government has covered about 15% of Eng Wah's up-front costs of installing digital equipment, which can easily reach $100,000 for the projector and computer, or about five times the price of a conventional projector. Today 15% of the city's 158 screens are digital, and the rest could be converted by yearend.

EMPTY SEATS: Still, it's tough for theater owners to make a business case for buying digital projectors. Cathay Organization Holdings Ltd. opened the first digital cinema in Singapore in 2003, but today it has only three digital projectors. One reason: Cathay can't raise prices to cover the $400,000 it has invested in the equipment. At a time when movie attendance in Singapore is falling: down 7% last year, the market can't handle even a small increase in ticket prices from the current $6 or so.

Last year just a dozen of the 150 titles shown in Singapore were digital. Cinema owners are expecting about twice as many digital films this year, now that Hollywood has adopted a standard format. Recently, digital versions of Mission: Impossible III, Poseidon, and The Wild were showing.

THE UPSIDE: Movie houses can also use the technology for more than films. With the projector hooked up to the Net or a satellite link, a whole new world of content becomes available. Cathay is presenting the World Cup soccer matches this summer. Eng Wah plans to add a further eight digital projectors and is looking to computer games as a way to make them pay off. Last year, Eng Wah hosted a competition with videogame maker Electronic Arts Inc. in which fans watched hotshot gamers compete on the silver screen. Another possibility: dozens of gamers facing off in a huge electronic brawl… converting the cinema into a game hall.
source: BusinessWeek (June 5, 06)

Satisfaction NOT Guaranteed

I read an interesting article recently in BusinessWeek (June 19, 06). It talks about how cost-cutting can backfire when it ignites consumer rage. The examples provided are of service shortfalls at Dell, Home Depot, and Northwest Airlines. Back at NBS, a few of us were part of Dr. Peter Keen’s short course during the last term break. Co-sourcing (not out-sourcing) is the key, he said. Dell featured as a prominent example throughout the week… of a company fighting the commoditization of its business by developing higher standards of business processes. The article made more sense because it talks about the possible pitfalls ahead… if the vision stays this way.

These companies operate in disparate industries, but each has fallen victim to a seductive fiction: that customer service and operational efficiency are mutually exclusive. For most corporate managers, numbers are friendly things. They are lucid and unequivocal benchmarks.

Revenues up 3% this quarter: Good
Operating margins down 12 basis points: Bad

But customer dissatisfaction is not so easily measured. How do you account for the damage done by homedepotsucks.org? When a customer is actively marketing against you, where does that show up on a P&L? (something to think about for my accounting friends.)

The outcome is that some companies, in their passion to drive down costs, have mangled their relationships with customers… executives have lost track of the delicate balance between efficiency and service. Trading customer service for profits is a shortsighted view. It inevitably harms customer satisfaction in the long term.

Today’s airlines: No pillows, no peanuts, no dignity, no blanket, no whiskey… not even a friendly flight attendant – just a cold, staring being with no work ethic. In the golden age of the consumers, it is an irony that the feeling of frustration provoked by rude service, long lines, ignored complaints, unanswered questions, and interminable phone delays still exists. Maybe even more.

The costs of short-circuiting the cycle (service, performance) are starting to become clear. Growth in same-store sales at Home Depot Inc. now lags far behind the much better liked Lowe's Cos. Things got so bad at Dell that in November, 3,000 callers a week to the company's helpline had to wait half an hour on hold before reaching a real person. And Northwest has continued to reach subterranean lows in airline service. The company that once left passengers locked in a plane on a runway for eight hours during a 1999 blizzard in Detroit has some customers practically begging competitors to start flying Northwest routes.

Each of the three companies is responding to its problems differently. Home Depot seems finally to realize that it needs to make a change; Dell, whose market share has already slipped, is trying to put the genie back into the bottle; and Northwest is in such a desperate fight for survival that it doesn't seem to care. While this trio struggles, savvy competitors are doing all the little things that make their stuff more fun to buy.

Smart companies -- Southwest Airlines Co. and Costco Wholesale Corp., two standouts mentioned in the article, have it both ways. Well-trained workers equal fewer complaints. That means lower costs, a workforce free to make more sales, and happier customers willing to spend more money and tell their friends about it later.

Clearly – customer experience matters more than short term P&L surges.

Monday, June 19, 2006

B&W rarities unearthed...







Friday, June 16, 2006

Cars... A Classic


A man is what he drives!! And on that basic assumption - enjoy the ride.

I have fallen in love with this movie... its about a 'bunch of computer-animated vehicles who express emotion with eyes made from windshields and smiles from metallic front grills'.

Its got something for everybody. But what excited me most were the humour, adventure, racing, Route 66, and ofcourse Owen Wilson, who voices for Lightning McQueen, the hotshot race-car rookie. And Paul Newman features as a 1951 Hudson Hornet. Great support from Mater, the rusty tow truck, a hippy-dippy 1960 VW bus, and Sally - the holy Porsche!!

Richard Petty, Dale Earnhardt Jr., Mario Andretti, and Michael Schumacher play animated four-wheel versions of themselves. As well.

A three-way finish of the opening race forces an elimination race for the Piston Cup in L.A. And as McQueen heads out to compete, an accidental detour strands McQueen off the interstate in Radiator Springs. This is a town forgotten.

This is where the fast living, 'I care for no-one' McQueen learns valuable lessons of life... that loyalty, community, humility, selflessness, friendship, respect, love and most of all identifying the priorities ahead... matter more than just winning a race or bagging an endorsement deal.


A great movie. Never thought I would be moved by cars - like this!!

Time and Time again... Time after Time...


The latest Time magazine (Asian edition, June 19) has a section on Remaking India. One of the articles is by Alex Perry (who has made it a habit of displaying his ignorance in his stories). Alex Perry is what I refer to as a sorry journalist. I think his sense of observation is too narrow for a journalist... and clearly he has fallen into a trap. Of shallowness. Thats the worst kind of trap for a journo. If you read his previous India centric stories, you would know what I mean. However, the story in question can be found at http://www.time.com/time/asia/covers/501060619/bombay.html.

I do not agree with most of his observations. And for the nth time, wrote my opinions to the editor. (I have had a few published in the past - like my disapproval of Perry's oo la la's about Aishwarya Rai). Here goes:

Dear Sir,

In City of Dreams (Time, June 19, 2006), Alex Perry sings an oft sung song, but sadly out of tune. First of all, the city is called Mumbai. And this change is not just a matter of nomenclature, but something deep rooted. Next, Perry has drawn his conclusion of Bombay and its possibilities by using examples like Sula's Samant, billionaire stock investor Jhunjhunwala and model Yana Gupta. This looks like the easy way out. A population of 18.4 million and an addition of 200 a day. And Perry could not find even one 'normal' person to interview. The 18.4 million he is referring to is poorly represented.

More than 7 years ago, I was one of that 200 added to the city. And so were my friends. We know what it was like to come to Bombay with 'dreams', albeit varied ones. I fell in love with Bombay when I visited a friend for a holiday. Having spent a few years prior to that in sleepy Bangalore, I promptly knew that Bombay was the only city in India that could match my energy levels. And we roughed it out. I'm not the only one who spent nights going hungry due to a light wallet. I have friends who came to Bombay to make it big in Bollywood. Some ended up modeling for a while, and then getting breaks in TV, while the others went back to their hometowns. Therefore your choice of Yana Gupta seems weird. Indians have been known to be welcoming of the 'gori madam' for centuries. Clearly, it was easier for her to make it big in Bombay's show business than the other aspirants. Lets not get into reasons. Samant, on the other hand (as Perry mentioned) is a son of privilege. Perry says that Bombay takes all comers – but he does not take us into the life of one.

I left Bombay last year to pursue an MBA in Singapore. On my farewell day, I cried like I lost a loved one. I was upset to leave the city I loved so much. I complete my program in November, and doubt I will go back to Bombay in the near future. I agree that it is pointless to compare Singapore to Bombay. But, it is everybody's right to choose a good life for himself. No matter who you are, Yana or Priya, you still spend hours in traffic, get covered in soot, breathe polluted and foul air, suffer acute noise pollution and get jostled by beggars. The sight of a Bollywood superstar stuck in his car during the last Bombay monsoon is proof to it. The first rain this year and the subsequent flooding and traffic problems proved that the city has been sleeping since the last monsoon. I'll miss my friends. But I won't miss Bombay... the city of 'crumbling' dreams.

And finally, in 1991, alcohol was not a sin. Alcohol will never be sin in India. Hooch was not the closest thing to a sophisticated intoxicant. What do you think Indians were drinking? For the sake of dramatization, please don't make it look like Indians had no choice. Samant's target group for his wine have always had a choice in India… maybe not wine.

Friday, June 09, 2006

The Seeger Sessions plough on...

Thursday, June 08, 2006

Haditha - An American Shame

The War in Iraq is entering its 40th month. And from the looks of it… there seems no end in sight as long as Mr. Bystander occupies the Oval office. When this whole mess began, I used to get into arguments with people… why were American troops there in the first place? I did not have much to say; just that it didn’t feel right to occupy a country that had clearly no involvement in the escalating terror problems in the U.S. As the months dragged into years, it became evident that the U.S was sending troops into Iraq that were young, inexperienced, under equipped and most importantly – lacked adequate training.

The first evidence of this was the Abu Ghraib Prison-Abuse Scandal.

There were constant reports of atrocities in other places, committed by young soldiers who cracked under the pressure of a war fought on a battlefield with no front lines, no easy way to tell civilians from insurgents, and no end in sight. Its not exactly clear what happened on Nov 19 (2005) in Haditha, a small farm town by the Euphrates. But thanks to an exposé by TIME Magazine in March 2006, the investigation has lead to what most Americans were hoping would never happen.

In fact, this could be the turning point...

One Marine (Lance Cpl. Miguel Terrazas, 20) and 24 Iraqis died... that much is certain. Local survivors say Americans on a rampage massacred their neighbors in cold blood. The videotaped eyewitness accounts that have been made available to the news organizations are horrifying, hard to believe in their sordidness and brutality. The Marines at first said 15 civilians, along with one marine had been killed by an IED (improvised explosive devices), and that the rest died in a shoot-out with insurgents. But the official story changed, in part because of the Time magazine exposé (the video of the aftermath of the November 19 deaths taped by an aspiring journalist convinced Time magazine to investigate). Now, according to congressmen who have been briefed by the Pentagon, the military is investigating Kilo Company for possible war crimes. Investigators have seen grisly photographs and are pursuing allegations of a cover-up.

Did the marines of Kilo Company murder the unarmed Iraqi civilians in cold blood? And was there a cover up? Two investigations are being conducted by the American Command in Baghdad.

New photographs taken by another group of Marines who came along afterward and helped clean up the scene were presented before Pentagon. Pentagon sources say the 30 images of men, women and children are some of the strongest evidence that, in some cases, the victims were shot inside their homes and at close range: not killed by shrapnel from a roadside bomb or by stray bullets from a distant firefight, as Marines had claimed. Senior Pentagon officials have said a probe into the November deaths tends to support allegations that Marines carried out an unprovoked massacre after one of their comrades was killed by a roadside bomb. The military is investigating both the deaths and a possible cover-up.

The Marine photographs are evidence in a criminal probe, and only investigators and a few very senior officials have access to them. There are images of 24 bodies, each marked with red numbers. Some of numbers are written on foreheads, others on the victim's backs. A senior military official believes that in some cases the numbers may denote the location of bullet wounds.

Among the images:
· A woman and child leaning against the wall, heads slumped forward.
· Another woman and child shot in bed.
· A man sprawled face down with his legs behind him.
· An elderly woman slumped over, her neck possibly snapped by the force of gunfire.

All of the victims were wearing casual attire. Some had been shot in the head. Some were face down, others face up. The pictures appear to show the locations of the bodies in the houses before a Marine unit loaded them into a truck and brought them to a morgue.

Haditha may turn out to be the worst massacre since My Lai. And Iraqis may be entirely justified in their outrage. In Vietnam, when the doleful news came home of burned villages and slaughtered civilians, many Americans blamed the military. Vets came home to be spat upon and called "baby killers." Americans have learned from their disgraceful behavior back then, and generally honor today's Marines, soldiers, sailors and airmen. But increasingly, they blame their leaders for putting young men and women into situations they were not trained or equipped to handle. As more accounts of civilian killings come to light, the pressure is likely to grow on the Bush administration to bring home the troops, not just to save their lives, but to rescue their honor and decency.

'I got my finger on the trigger
But I don't know who to trust
When I look into your eyes
There's just Devils and Dust..'

Wednesday, June 07, 2006

"Young whites, young blacks, old people, jazz people -- I want 'em all."


Billy Preston (1946 - 2006)

I recently purchased the ‘Concert for Bangladesh’ DVD and was planning to review it. Then I read the news today. Billy Preston, the big smiling, exuberant and towering Afro keyboardist, died on June 6th.

Preston was a teen prodigy on the piano and organ, and lent his gospel-tinged touch to classics such as the Beatles' "Get Back" and the Stones' "Can't You Hear Me Knocking?". He landed dream gigs with the Beatles and the Rolling Stones and enjoyed his own hit singles, including "Outta Space" and "Nothing From Nothing," and one of my favorites, ‘That’s the Way God Planned it’.

A heart infection in November left him in a coma and he never regained consciousness. Preston had battled chronic kidney failure and received a kidney transplant in 2002. But the kidney failed and he had been on dialysis since.

His partnership with the Beatles began in early 1969 when friend George Harrison recruited him to play on "Let It Be," a back-to-basics film and record project that nearly broke down because of bickering among band members. Harrison himself quit at one point, walking out on camera after arguing with Paul McCartney. Preston not only inspired the Beatles to get along; Harrison likened his effect to a feuding family staying on its best behavior in front of a guest, but also contributed a light, bluesy solo to "Get Back," performing the song with the band on its legendary "rooftop" concert, the last time the Beatles played live. He was one of many people sometimes labeled "The Fifth Beatle," a title he did not discourage.

Preston remained close to Harrison and performed at Harrison's all-star charity event "The Concert for Bangladesh," and at the "Concert for George," a tribute to Harrison, who died of cancer in 2001. He played on solo records by Harrison, Ringo Starr and John Lennon.


From the Rolling Stone: Eclectic Talent Billy Preston Dead at 59


Billy Preston, the gifted Genre-bending keyboardist who recorded with both the Beatles and the Rolling Stones and scored two of his own Number One hits, died of kidney failure in Scottsdale, Arizona, Tuesday at fifty-nine.

Preston, sometimes referred to as "the fifth Beatle," was the only performer to receive a recording credit with the group, when the single "Get Back" was attributed to the Beatles with Billy Preston. He scored his own chart-toppers with "Will It Go Round in Circles" (1973) and "Nothing From Nothing" (1974), and he was co-wrote "You Are So Beautiful," which became a Top Five hit for Joe Cocker in 1975. By then, Preston's reputation was strong enough to earn him the distinction of becoming the first-ever musical guest on Saturday Night Live. He also played the role of Sgt. Pepper in the 1978 film version of the Beatles' seminal concept album Sgt. Pepper's Lonely Hearts Club Band, and his career included sessions with such greats as Little Richard, Ray Charles, Bob Dylan, Sly and the Family Stone, and the Red Hot Chili Peppers.
Born in Houston on September 9th, 1946, Preston moved with his family to Los Angeles early on. A child prodigy, he played with Mahalia Jackson by age ten and appeared as the young W.C. Handy in the 1958 film St. Louis Blues. Touring Europe with Little Richard's band in 1962, he first met the Beatles. After signing with Sam Cooke's SAR label, he moved onto Vee-Jay, where he released two well-received instrumental gospel albums, The Most Exciting Organ Ever and The Wildest Organ in Town!.

Working in the studio band on the ABC TV series Shindig, Preston was recruited by Ray Charles. George Harrison spotted him performing with Charles on a BBC special and invited him to record with the Beatles. In addition to "Get Back," the keyboardist took part in the sessions that would become the Let It Be album. Harrison encouraged the signing of Preston to the Beatles' Apple label, where he released two albums, That's the Way God Planned It and Encouraging Words. He also appeared on Harrison's first solo album, All Things Must Pass, and on the historic recording of the Concert for Bangladesh. Preston's connection to the Beatles would continue for years; he worked on John Lennon's Plastic Ono Band album and, in 1989, joined Ringo Starr's first All Starr Band tour.

Preston was a collaborator in demand beyond the Fab Four. He appeared on a string of Rolling Stones albums -- including Sticky Fingers, Exile on Main Street and Black and Blue -- touring for a time as the band's featured guest.

In his own solo career he enjoyed several years of remarkable success in the mid-1970s, beginning with the Grammy-winning hit "Outa-Space" in 1972 and ending in 1980 with "With You I'm Born Again," a Top Five duet with Syreeta Wright, one-time wife of Stevie Wonder. In later years, Preston made studio appearances with singers including Luther Vandross, Elton John, Gladys Knight and Enrique Iglesias.

The 1990s were difficult times, as the singer, who admitted a decades-long dependency on drugs and alcohol, was in recurring trouble with the law over charges including an insurance fraud scam that involved a fire at his house. Though he spent much of the decade in prison or on probation, he continued to perform whenever possible. Just before his death, he appeared on albums by Neil Diamond (12 Songs) and the Red Hot Chili Peppers (Stadium Arcadium). A virtuoso, Preston was also extremely versatile, spanning gospel, funk, classic rock and many other styles. Prefiguring a 1973 album that he called Everybody Likes Some Kind of Music, he described his ideal audience in a 1971 Rolling Stone interview: "Young whites, young blacks, old people, jazz people -- I want 'em all."

Thursday, June 01, 2006

Ray McDonald - and the 'other worldly' experience

I am having a good life.

Let me begin with where it all started. I'm originally from Coonoor, India. My association with the town began in 1985 when my brother and I were 'packed off' to a school there...all boys, residential/day school. I was 9 then. Till then, we were at Kuwait. My parents came back to India in 1988, and took charge of our lives.

If you grew up in India during the late 80's, you will know that mass media was pretty boring. Doordarshan (DD) - what can I say about it? To top it all, DD Madras relayed programs instead of Hindi - and was in a different league. Apart from the yearly Academy Awards and Grammy Awards, Friday was special for 'The World This Week'. Thats about it... I guess.

I was 15 years old when I was introduced to Ray McDonald's NOW MUSIC USA on VOA. I remember since that night, I would look forward to Thursday nights with a longing I can't put in words now. A google search on Coonoor will show you that it is a tiny hill town in the south of India. There was no cable TV during those year, and all I had to keep in touch with the world was my radio (given by dad) and the weekly magazines (like Newsweek) he subscribed to. Thankfully, my dad had a good library... and record collection going back to the early 60's.

He told my brother and me about the show. It was about contemporary music,... 'the countdown of the 10 most popular songs in the USA, as determined by the editors of billboard magazine, record store sales and duration on the charts'. Dad was not too interested in newer stuff. So, during those nights, we would bum his radio and tune in. It was 30 minutes of 'transportation to a new world'. After my brother left for college, I would step out into the cold and silent night and look for the best possible signal (it was not FM, but short wave). Sometimes, I would record the shows to listen to these tracks again and again. My brother and I would then write letters to each other and discuss the show... Ray's humour and the charts. We had no decent record store in our town, and had to travel over 100 km (to the nearest city, Coimbatore) to buy new tapes. Since he was studying there, he would bring stuff whenever there was something worth buying.

I discovered a lot of new content on the show. I remember being exposed to R&B first on NOW Music. I used to track the chart performances of my favourite stars.

Nowadays, when I listen to a particular song, I remember the late nights up listening to the radio in my room. Instead of studying, I'd be exported to this mystery land... America. See, no matter how much I dislike America's policies today, she still sets the tone for the rest of the world. My room at Themi Villa was actually the 'prayer room' of the house. It looked cozy and nice. After my brother left for college, I moved into that room, and made it my own. It was tiny man... my tiny world. It had another door that opened outside. This was sealed. And during windy nights, you could feel the drafts coming in through the cracks of the door and hitting your ears. Surreal.

Now Music, USA - and its host Ray McDonald had a huge role in the way I played my life out. In the case of my dear buddy Arjun, it played THE role!! I used to look forward to the show - it was important for me to listen to his playlist (the surprise hot-shot debut), humour and opinions. It will endure as one of the most important aspects of my adoloscence.

At Sony BMG, I met Arjun Sankalia. Ladies - this guy is single. And my advise to you would be....

We had a similar experience with NOW Music, USA. We connected at a level man. It was great to talk about those times with someone who felt the same way.

So, whats with the nostalgia?


Recently, I had a huge urge to get in touch with Ray McDonald. Afterall, we are living in a world that is shrinking thanks to the internet. So, I dedicated a few hours to search for this man. And I ended up at his present employer's site (VOA Music Mix). I wrote an email to him (with parts taken from the above). A few days later, the reply comes.

It made his day that a long-time listener wrote to him. He said that 'Back then, listeners had fewer options, and I felt I was helping them discover a whole new world. Now, I'm just one voice among many.' This is true. But I assure you, if you listen to him once, he is not just one voice among many.

And to my joy... he is pretty familiar with India as well as Singapore (wife is Bengali and brother-in-law in Singapore). We may meet up and toast 2007!!

'Thanks again for your wonderful letter. I'll never forget my old "NowMusic" fans!'

Thanks Ray. You are THE man.